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Cynthia Blanchette (CA/FI)
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Ingvill Fossheim (NO/FI)
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Beāte Poikāne (LV)
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Annike Flo (NO/FI)
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Nana Franciska Schottländer (DK)
I work cross-aesthetically within the fields of choreography, performance, video and installation using the body as a living instrument for encounters, research and co-creation. The works revolve around encounters and intra-actions between humans and more-than-human bodies and worlds including rocks, fungi and plants, wind, waters and tides, soil types and larger geographical areas.
Since 2020 I focus on landscapes shapes by human intervention like extraction, production, waste and infrastructure to explore, what care and reciprocity looks like here. The works employ immersion, co-creation and long duration and draw inspiration from both scientific and academic research to develop embodied knowledge and encounters of reciprocity and co-creation.
My work formats includ performances (both participatory and solo, site specific and in art spaces), sound and video installations, exhibitions, writings and publications.
Previous performances and exhibitions (selection): Metropolis (DK), OIT (NO), Louisiana Museum of Modern Art (DK), Kunsthal Charlottenborg (DK), Roskilde Festival (DK), Heartland Festival (DK), KØS Museum (DK), The Danish National Gallery (DK), Festival of Future Nows / Hamburger Bahnhof (DE), Pergine Festival (IT), Breath Days (IT), Art Center Silkeborg Bad (DK) Liselund (DK), The Tunnelfactory (DK) amongst others. -
Katrīna Neiburga (LV)
Katrīna Neiburga is a Latvian artist in whose practice landscape and the material world are not a backdrop but a participant. In works created over more than twenty years, she works with found objects and seasonal rituals, observing how place and matter hold memory. Melting, decaying and earth-bound materials become a way of listening to the more-than-human world and of slowing the gaze towards what is alive around us. -
Elektron.art (EE)
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Georg Jagunov (DK/BY)
Georg Jagunov (b. 1984) is a Danish-Belarusian visual artist based in Copenhagen. He graduated from the Royal Danish Academy of Fine Arts in 2011 and works across installation, sculpture, digital animation, sound, projection, and performance.
His practice moves at the intersection of nature, geology, and the human imagination. Through sensory and spatial formats, he explores deep time, geological processes, cultural heritage, and the hidden narratives of materials. Drawing on organic and geological structures, he creates works that connect the microscopic with the landscape, and the material with the mythological.
In recent years, he has worked particularly with moss, flint, water, afforestation, and ancient landscapes across different scales and contexts. Jagunov frequently develops interdisciplinary projects with architects, researchers, educators, and cultural institutions.
